In this a baroque and claustrophobic take on Mozart’s opera of the same name, Don Giovanni tries to seduce a girl who is manically searching for Christian icons. Loosely based on Jules Barbey d'Aurevilly's short story "The Greatest Love of Don Juan".
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| Camera | Antonio Nardi | Camera Operator |
| Camera | Mario Masini | Director of Photography |
| Directing | Carmelo Bene | Director |
| Lighting | Pietro Ras | Chief Lighting Technician |
| Writing | Carmelo Bene | Writer |
| Writing | Jules-Amédée Barbey d'Aurevilly | Story |
| Editing | Mauro Contini | Editor |
| Production | Carmelo Bene | Producer |
| Art | Salvatore Vendittelli | Art Direction |
| Sound | Carmelo Bene | Music Coordinator |
| Writing | Jules-Amédée Barbey d'Aurevilly | Idea |
| Writing | Carmelo Bene | Screenplay |
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