A newspaper photographer, Jean, researches the lurid and sensational axe murder of two women in 1873 as an editorial tie-in with a brutal modern double murder. She discovers a cache of papers that appear to give an account of the murders by an eyewitness.
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Directing | Kathryn Bigelow | Director |
Writing | Alice Arlen | Screenplay |
Writing | Christopher Kyle | Screenplay |
Art | Laura Cuthill | Set Decoration |
Writing | Anita Shreve | Novel |
Editing | Howard E. Smith | Editor |
Art | Karl Júlíusson | Production Design |
Sound | David Hirschfelder | Original Music Composer |
Art | Patricia Larman | Set Decoration |
Production | Mali Finn | Casting |
Art | Mark Laing | Art Direction |
Costume & Make-Up | Marit Allen | Costume Design |
Camera | Adrian Biddle | Director of Photography |
Production | Sigurjón Sighvatsson | Producer |
Art | Deborah Ross | Title Designer |
Crew | Marny Eng | Stunt Double |
Crew | Alisa Christensen | Stunt Double |
Visual Effects | Korey J. Cauchon | Visual Effects |
Crew | Herbert Dwight Raymond IV | Visual Effects Editor |
Crew | Ted Ross | Special Effects Coordinator |
Visual Effects | Gary Coates | Special Effects Supervisor |
Directing | David Webb | First Assistant Director |
Costume & Make-Up | Felicity Bowring | Makeup Department Head |
Costume & Make-Up | Nisha Dubey | Makeup Artist |
Directing | Sarah Dunsworth | Third Assistant Director |
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