The assistant of a creepy power couple inexplicably finds herself pregnant. Immaculata feels like an unexpected offshoot of Rosemary's Baby, between its half-open doors and a phobia of fluids.
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| Directing | Kim Lêa Sakkal | Director |
| Directing | Sophie Hay | Assistant Director |
| Camera | Moritz Buschbeck | Key Grip |
| Costume & Make-Up | Leah Bauthamy | Costume Designer |
| Camera | Paul Faltz | Director of Photography |
| Sound | Gerrit Kuge | Sound Assistant |
| Editing | Nadia Khairat Gomez | Color Grading |
| Camera | Manuel Schildknecht | Key Grip |
| Costume & Make-Up | Rudeina Konstantini | Makeup Artist |
| Directing | Mehmet Akif Büyükatalay | Continuity |
| Camera | Leo Sikstel | Assistant Camera |
| Sound | Marko Vinokic | Sound Assistant |
| Editing | Benedikt Strick | Editor |
| Sound | René Nicklaus | Sound |
| Production | Johannes Wünsch | Unit Manager |
| Camera | Caio Salles Ackermann | Still Photographer |
| Production | Sarah Recht | Production Manager |
| Production | Mario von Grumbkow | Line Producer |
| Production | Corinna Röthinger | Unit Manager |
| Production | Sophia Mazdarayi | Production Coordinator |
| Production | Kim Lêa Sakkal | Producer |
| Production | Mehmet Akif Büyükatalay | Producer |
| Camera | Haakon Münch | Key Grip |
| Sound | Antonio Martinelli de Luca | Original Music Composer |
| Sound | Caroline Kox | Original Music Composer |
| Camera | Chantal Bergemann | Key Grip |
| Costume & Make-Up | Johannes Hugendick | Makeup Artist |
| Production | Claus Reichel | Producer |
| Production | Caio Salles Ackermann | Unit Manager |
| Art | Mayte Sophie Hellenthal | Production Design |
| Art | Hella Vohrmann | Set Designer |
| Art | Mayte Sophie Hellenthal | Set Designer |
| Art | Hella Vohrmann | Production Design |
| Writing | Kim Lêa Sakkal | Writer |
| Production | Solal Coutard | Producer |
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