In the 1950s, brothers Jacey and Doug Holt, who come from the poorer side of their sleepy Midwestern town, vie for the affections of the wealthy, lovely Abbott sisters. Lady-killer Jacey alternates between Eleanor and Alice, wanting simply to break the hearts of rich young women. But sensitive Doug has a real romance with Pamela, which Jacey and the Abbott patriarch, Lloyd, both frown upon.
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| Directing | Pat O'Connor | Director |
| Camera | Kenneth MacMillan | Director of Photography |
| Writing | Ken Hixon | Screenplay |
| Production | Jack Cummins | Executive Producer |
| Production | Janet Meyers | Producer |
| Production | Brian Grazer | Producer |
| Editing | Ray Lovejoy | Editor |
| Production | Karen Kehela Sherwood | Executive Producer |
| Sound | Michael Kamen | Original Music Composer |
| Production | Ron Howard | Producer |
| Sound | David M. Roberts | Boom Operator |
| Production | Jack Cummins | Unit Production Manager |
| Crew | Mic Rodgers | Stunts |
| Crew | Denney Pierce | Stunts |
| Directing | Jonathan Watson | Second Assistant Director |
| Crew | Christina Ritzi | Stunts |
| Crew | Fiona Jackson | Stunts |
| Directing | Vincent Agostino | First Assistant Director |
| Sound | John Pritchett | Sound Mixer |
| Crew | Chris Tuck | Stunts |
| Crew | Joey Box | Stunts |
| Crew | Jim Stephan | Stunts |
| Crew | Tim Trella | Stunts |
| Art | Louisa Bonnie | Set Designer |
| Art | Steve Cooper | Set Designer |
| Crew | James B.G. Ricketts | Stunts |
| Camera | Scott Hillman | Best Boy Grip |
| Camera | Michael Fauntleroy Jr. | Camera Loader |
| Lighting | Rick Maddux | Best Boy Electric |
| Lighting | Richard Smock | Rigging Gaffer |
| Camera | John W. Murphy | Dolly Grip |
| Camera | Anthony Gaudioz | Camera Operator |
| Lighting | David L. Whitham | Electrician |
| Camera | Bobby Huber | Key Grip |
| Crew | John Glaeser | Cableman |
| Camera | Nick Shuster | Second Assistant Camera |
| Lighting | Randy Alderson | Electrician |
| Camera | Michael A. FauntLeRoy Sr. | First Assistant Camera |
| Lighting | E. Christopher Reed | Electrician |
| Lighting | Patrick Murray | Gaffer |
| Lighting | Stephen Johnstone | Best Boy Electric |
| Lighting | Carl A. Vidnic | Electrician |
| Production | Robert Graf | Location Manager |
| Production | Jennifer Nickson | Assistant Production Coordinator |
| Production | Robin Citrin | Location Manager |
| Camera | Edward Filian | Grip |
| Lighting | Stuart Abramson | Key Rigging Grip |
| Production | Jean Maninger | Production Coordinator |
| Camera | Rick Uva | Grip |
| Camera | Kent Alexander | Grip |
| Camera | Jeffrey A. Johnson | Grip |
| Production | Kim Jordan | Assistant Location Manager |
| Costume & Make-Up | Winnie D. Brown | Costume Supervisor |
| Costume & Make-Up | Bridget Ostersehlte | Key Costumer |
| Costume & Make-Up | Adrienne Childers | Costumer |
| Costume & Make-Up | Jonny Pray | Set Costumer |
| Costume & Make-Up | Alison Gail Bixby | Set Costumer |
| Costume & Make-Up | Alfred N. Martin Jr. | Costumer |
| Costume & Make-Up | Steffani Lincecum | Seamstress |
| Sound | James Bolt | Sound Re-Recording Mixer |
| Sound | Michael Connell | Music Editor |
| Art | Alberto Christiano Lombardo | Assistant Property Master |
| Editing | Kirsten Chalker | Assistant Editor |
| Sound | Rocky Phelan | Sound Editor |
| Production | Mayda Renizzi-Holt | Assistant Accountant |
| Sound | Graham Sutton | Music Editor |
| Sound | Stephen Lotwis | Music Editor |
| Production | Ken Ryan | Production Accountant |
| Production | Brenda Morris | Payroll Accountant |
| Sound | Anthony Cleal | Sound Re-Recording Mixer |
| Sound | Matt Grimes | Dialogue Editor |
| Art | Peter Bankins | Property Master |
| Sound | Michael A. Carter | Sound Re-Recording Mixer |
| Editing | Logan Breit | First Assistant Editor |
| Sound | B. Tennyson Sebastian III | Sound Re-Recording Mixer |
| Sound | Frank Morrone | Sound Re-Recording Mixer |
| Sound | David Sharpe | Assistant Sound Editor |
| Art | John Berger | Assistant Art Director |
| Sound | Terry Busby | Assistant Sound Editor |
| Sound | Gill MacDonald | Assistant Sound Editor |
| Sound | Christopher Brooks | Music Supervisor |
| Costume & Make-Up | Mindy Hall | Key Makeup Artist |
| Sound | Alastair Sirkett | Assistant Sound Editor |
| Art | Chris Snyder | Construction Coordinator |
| Art | Terry Doherty | Set Dresser |
| Art | Val Harris | Leadman |
| Editing | Stephen R. Sheridan | Color Timer |
| Art | Douglas McKay | Set Dresser |
| Crew | Billy G. Arter | Transportation Coordinator |
| Art | Karin L. McGaughey | Set Dresser |
| Art | Kinney Booker | Set Dresser |
| Art | Peter J. Lakoff | Set Dresser |
| Crew | James Fredburg | Special Effects Coordinator |
| Editing | Gary Burritt | Negative Cutter |
| Crew | Peggy Mulloy | Unit Publicist |
| Crew | Dan Moore | Video Assist Operator |
| Directing | Karen Golden | Script Supervisor |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Crew | Shane Dixon | Stunt Coordinator |
| Crew | John Moio | Stunt Coordinator |
| Costume & Make-Up | Medusah | Hair Department Head |
| Art | Gary Frutkoff | Production Design |
| Art | William V. Ryder | Art Direction |
| Camera | Randy Nolen | Steadicam Operator |
| Production | Marcy G. Kaplan | Production Supervisor |
| Sound | Don Sharpe | Supervising Sound Editor |
| Costume & Make-Up | Aggie Guerard Rodgers | Costume Design |
| Art | Kathryn Peters | Set Decoration |
| Production | Risa Bramon Garcia | Casting |
| Costume & Make-Up | Julie Hewett | Makeup Department Head |
| Crew | Michael Runyard | Stunt Coordinator |
| Costume & Make-Up | Jennifer Bell | Key Hair Stylist |
| Writing | Sue Miller | Short Story |
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