A priest is put in a dilemma when the serial killer who has been murdering priests and nuns confesses to him.
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| Directing | Fred Walton | Director |
| Writing | Elmore Leonard | Screenplay |
| Writing | Fred Walton | Screenplay |
| Sound | Don Sebesky | Conductor |
| Sound | Don Sebesky | Original Music Composer |
| Sound | Bobby Laurel | Original Music Composer |
| Sound | Don Sebesky | Music Arranger |
| Camera | David Golia | Director of Photography |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Crew | Tony Pozzuoli | Transportation Coordinator |
| Sound | Steve Livingston | Music Editor |
| Production | Sue Echols | Extras Casting |
| Sound | Michael P. Redbourn | Supervising Sound Editor |
| Lighting | Chris Morley | Chief Lighting Technician |
| Crew | Rick Josephsen | Special Effects Coordinator |
| Production | John Cameron | Location Manager |
| Sound | Ken Johnson | Music Editor |
| Sound | James E. Webb | Production Sound Mixer |
| Camera | Robert K. Feldmann | Key Grip |
| Crew | Gary Combs | Stunt Coordinator |
| Art | Robert J. Visciglia Sr. | Property Master |
| Camera | Larry McConkey | Steadicam Operator |
| Lighting | Tony Boura | Electrician |
| Camera | Brad Edmiston | First Assistant Camera |
| Art | Peter M. Gurski | Assistant Art Director |
| Costume & Make-Up | Donna Kram | Wardrobe Assistant |
| Lighting | Bruce McCleery | Best Boy Electric |
| Camera | John Anderson | First Assistant Camera |
| Costume & Make-Up | Deborah K. Larsen | Wardrobe Supervisor |
| Camera | Skelly Cummings | Grip |
| Costume & Make-Up | Margaret Hackett | Seamstress |
| Production | Carroll Thomas | Casting |
| Sound | Don S. Walden | Sound Editor |
| Production | Marlana Geha | Production Coordinator |
| Crew | Bernard Farbrother | Carpenter |
| Costume & Make-Up | Stephanie Carroll | Dresser |
| Sound | Fred Judkins | Sound Editor |
| Sound | Jimmy Ling | Sound Editor |
| Lighting | Jim Thorpe | Electrician |
| Art | Scott Shamus | Leadman |
| Production | Kathy Thomas | Extras Casting Assistant |
| Sound | Gary Ritchie | Sound Recordist |
| Crew | Reid Downey | Carpenter |
| Production | Amy Grgich | Casting Assistant |
| Editing | Fax Bahr | Assistant Editor |
| Camera | Les Percy | Best Boy Grip |
| Art | Tom McTeer | Leadman |
| Crew | Stephen Litwin | Carpenter |
| Sound | Melinda Cooke | Apprentice Sound Editor |
| Camera | Jeff Dougherty | Second Assistant Camera |
| Camera | Art Brown | Clapper Loader |
| Art | Michele Poulik | Assistant Set Decoration |
| Sound | Jim Bullock | Sound Editor |
| Sound | Tova Szabo | Assistant Sound Editor |
| Camera | Julio Macat | Camera Operator |
| Camera | Mike Ditz | Still Photographer |
| Art | Sonny Van Hecke | Props |
| Sound | Douglas Vaughan | Boom Operator |
| Sound | Burton Weinstein | Sound Editor |
| Sound | Richard Overton | Sound Re-Recording Mixer |
| Camera | Charles Smith | Grip |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Sound | Robert Nichols II | Sound Recordist |
| Crew | Sam Pollack | Carpenter |
| Directing | Harriotte H. Aaron | Script Supervisor |
| Production | Karen Ludwig | Casting |
| Crew | Gary Combs | Stunts |
| Crew | Doug Coleman | Stunts |
| Crew | Gilbert B. Combs | Stunts |
| Production | Pennie DuPont | Casting |
| Art | Diane Campbell | Set Decoration |
| Writing | William X. Kienzle | Novel |
| Directing | Scott Kohlrust | Second Assistant Director |
| Production | Chris Coles | Associate Producer |
| Editing | Sam Vitale | Editor |
| Costume & Make-Up | Judith Dolan | Costume Design |
| Costume & Make-Up | Chantal Gouy | Hair Supervisor |
| Production | Robert G. Laurel | Executive Producer |
| Production | Robert G. Laurel | Producer |
| Costume & Make-Up | Annie D'Angelo | Makeup Artist |
| Costume & Make-Up | Carolyn Tolley | Assistant Makeup Artist |
| Directing | Steven McRoberts | First Assistant Director |
| Production | Michael R. Mihalich | Executive Producer |
| Production | Chris Coles | Unit Production Manager |
| Lighting | Huston Beaumont | Electrician |
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