After being sent to the electric chair, a serial killer uses electricity to come back from the dead and carry out his vengeance on the football player who turned him in to the police.
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Art | Naomi Shohan | Set Decoration |
Writing | Wes Craven | Screenplay |
Directing | Wes Craven | Director |
Production | Wes Craven | Executive Producer |
Camera | Jacques Haitkin | Director of Photography |
Sound | Laura Perlman | Music Editor |
Costume & Make-Up | Isis Mussenden | Costume Design |
Production | Gary M. Zuckerbrod | Casting |
Art | Cynthia Kay Charette | Production Design |
Art | Randy Moore | Art Direction |
Production | Marianne Maddalena | Producer |
Production | Shep Gordon | Executive Producer |
Visual Effects | Jonathan Craven | Visual Effects Coordinator |
Production | Barin Kumar | Producer |
Sound | William Goldstein | Original Music Composer |
Editing | Andy Blumenthal | Editor |
Camera | Peter Iovino | Still Photographer |
Sound | Desmond Child | Music Supervisor |
Sound | Wayne Heitman | Sound Re-Recording Mixer |
Directing | Susan Bierbaum | Script Supervisor |
Sound | Michael P. Redbourn | Supervising Sound Editor |
Camera | Mark O'Kane | Steadicam Operator |
Camera | Randy Nolen | Steadicam Operator |
Costume & Make-Up | Suzanne Parker Sanders | Key Hair Stylist |
Sound | Richard Shorr | Music Editor |
Sound | Richard Shorr | Supervising Sound Editor |
Sound | Robert Heffernan | ADR & Dubbing |
Sound | B. Tennyson Sebastian III | Sound Re-Recording Mixer |
Costume & Make-Up | Laura Gorman | Hairstylist |
Lighting | Paul McIlvaine | Rigging Gaffer |
Camera | Allen Blaisdell | Camera Operator |
Directing | Lori Gerson | Script Supervisor |
Lighting | Alan Brownstein | Gaffer |
Lighting | John Bertram | Gaffer |
Lighting | Charles W. Belisle | Rigging Grip |
Lighting | Patric J. Abaravich | Rigging Grip |
Visual Effects | Samuel E. Recinos | Animation Supervisor |
Crew | Robert Yamamoto | Visual Effects Editor |
Sound | George Borghi | Foley |
Sound | Robert Friedman | Foley |
Sound | Keith Olson | Foley |
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