The making of a horror movie takes on a terrifying reality for students at the most prestigious film school in the country. At Alpine University, someone is determined to win the best film award at any cost - even if it means eliminating the competition. No one is safe and everyone is a suspect.
Unfortunately the movie Urban Legends: Final Cut is not yet available on Netflix. Follow us on Facebook to see when Urban Legends: Final Cut becomes available on Netflix!
| Production | Neal H. Moritz | Producer |
| Sound | Damon Intrabartolo | Original Music Composer |
| Writing | Paul Harris Boardman | Screenplay |
| Camera | Brian Pearson | Director of Photography |
| Writing | Scott Derrickson | Screenplay |
| Art | Mark Zuelzke | Production Design |
| Sound | John Ottman | Original Music Composer |
| Art | Charles L. Dunlop | Set Designer |
| Sound | Rick Mitchell | Foley Editor |
| Sound | Andrea Lakin | Sound Recordist |
| Production | Amanda Goodpaster | Associate Producer |
| Editing | John Ottman | Editor |
| Sound | Colin Jones | Boom Operator |
| Costume & Make-Up | Irene Kent | Key Makeup Artist |
| Art | Henry Ilola | Construction Coordinator |
| Art | Nancey Pankiw | Art Direction |
| Costume & Make-Up | Marie-Sylvie Deveau | Costume Design |
| Directing | Patricia Joyes | Script Supervisor |
| Sound | James Christopher | Sound Effects Editor |
| Production | Richard Luke Rothschild | Producer |
| Production | Gina Matthews | Producer |
| Production | Brad Luff | Executive Producer |
| Production | Nick Osborne | Executive Producer |
| Costume & Make-Up | Karola Dirnberger | Key Hair Stylist |
| Crew | Harry Kassardjian | Carpenter |
| Production | Randi Hiller | Casting |
| Art | Carol Lavoie | Set Decoration |
| Production | Christopher J. Danton | Production Manager |
| Production | Richard Luke Rothschild | Unit Production Manager |
| Art | Ane Christensen | Property Master |
| Sound | Ralph Stuart | Assistant Sound Editor |
| Crew | Sarah Norton | Compositor |
| Editing | Rob Kobrin | Editor |
| Art | Hans-Heinrich Piersig | Leadman |
| Crew | Larz Anderson | Special Effects |
| Costume & Make-Up | Trysha Bakker | Costume Design |
| Sound | David E. Fluhr | Sound Re-Recording Mixer |
| Sound | Richard L. Anderson | Supervising Sound Editor |
| Production | Michael McDonnell | Co-Producer |
| Art | Brian Wade | Props |
| Visual Effects | Tavia Charlton | Visual Effects Coordinator |
| Directing | Michael Zenon | First Assistant Director |
| Crew | Chris Fix | Propmaker |
| Crew | Leigh Bianco | Stunts |
| Lighting | Lux | Lighting Technician |
| Lighting | Roddy Kosub | Best Boy Electric |
| Visual Effects | Mark Savela | Visual Effects Supervisor |
| Lighting | John 'Fest' Sandau | Gaffer |
| Camera | Jim Holmes | Grip |
| Crew | Stephanie Keating | Unit Publicist |
| Production | Anne Richardson | Location Manager |
| Camera | Kirk Chiswell | First Assistant Camera |
| Camera | Brad Hruboska | Steadicam Operator |
| Production | Michael Goosen | Production Accountant |
| Production | Kristine M. Gilbert | Production Coordinator |
| Crew | Jeff Bell | Transportation Captain |
| Camera | Susan A. Cabral | Additional Photography |
| Crew | Pat Banta | Stunt Coordinator |
| Camera | Tony Guerin | Camera Operator |
| Production | Missy Eustermann | Post Production Accountant |
| Costume & Make-Up | Gillian Steinhardt | Assistant Costume Designer |
| Editing | Mike Milliken | Color Timer |
| Costume & Make-Up | Donna Butt | Set Costumer |
| Crew | Jason Leeking | Transportation Co-Captain |
| Crew | Wilfred Bell | Transportation Coordinator |
| Camera | Robert DaPrato | Key Grip |
| Camera | Michael Gibson | Still Photographer |
| Sound | John Ottman | Orchestrator |
| Production | Courtney Gross | Casting Associate |
| Sound | Amanda Goodpaster | Music Editor |
| Production | Carl Bainbridge | Location Production Assistant |
| Crew | Reet Puhm | Key Scenic Artist |
| Production | Joseph Diaz | Production Assistant |
| Directing | Tyler Delben | Third Assistant Director |
| Sound | Greg Steele | ADR Mixer |
| Camera | Pete Daprato | Best Boy Grip |
| Sound | Damon Intrabartolo | Conductor |
| Production | Andrea Kool | Casting Assistant |
| Lighting | Richard Allen | Chief Lighting Technician |
| Directing | Tim Singh | Second Assistant Director |
| Camera | Patrick King | Dolly Grip |
| Camera | Anthony Ellis | Second Assistant Camera |
| Crew | Mark Rice | Special Effects Assistant |
| Crew | Heather Callow | Stunt Double |
| Editing | Helen Hand | Assistant Editor |
| Editing | Chris Lamie | Colorist |
| Production | Redd Knight | Assistant Production Coordinator |
| Production | Janet Ellis | Production Secretary |
| Production | Vicki Dee Rock | Production Executive |
| Sound | Catherine Harper | Foley Artist |
| Visual Effects | Chris Crowell | Digital Compositor |
| Sound | Elizabeth Kenton | ADR Editor |
| Production | Terri Douglas | ADR Voice Casting |
| Sound | Dan Lucas | ADR Recordist |
| Production | Sue Sparling | First Assistant Accountant |
| Sound | Robert Zubia | Foley Recordist |
| Sound | Don Givens | Foley Mixer |
| Crew | Brad Larkin | Special Effects Technician |
| Production | Jen Leonard | Assistant Location Manager |
| Costume & Make-Up | François Dagenais | Prosthetic Designer |
| Directing | John Ottman | Director |
| Writing | Silvio Horta | Characters |
| Crew | Alison Reid | Stunts |
| Crew | Mickey Giacomazzi | Stunts |
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