A variation on paroptic vision (the ability to see with the skin, without the aid of the eyes), telepathy, colour theory and the theremin. The various sequences introduce the hypothesis of an imaginary cinema. The film is presented as a series of rushes, suggesting an unfinished film in progress.
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| Art | Emmanuelle Gary | Assistant Director of Photography |
| Camera | Éva Sehet | Director of Photography |
| Directing | Érik Bullot | Director |
| Sound | Marc Parazon | Sound |
| Art | Arnaud Deshayes | Assistant Art Director |
| Editing | Arnaud Deshayes | Editor |
| Editing | Julia Mingo | Color Grading |
| Sound | Frédéric Chopin | Music |
| Sound | François Sales | Music |
| Crew | Mikaël Barre | Mixing Engineer |
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