On the back of the Wall Street Crash of 1929, a young businessman is about to commit suicide. With a note to his wife scribbled down and a gun in his hand, he notices an envelope addressed to him on his desk. As he begins to read, we're taken back to World War One and his meeting with a young woman named Mary Lane.
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| Directing | John M. Stahl | Director |
| Production | Carl Laemmle Jr. | Producer |
| Editing | Milton Carruth | Editor |
| Art | Charles D. Hall | Production Design |
| Camera | Merritt B. Gerstad | Director of Photography |
| Camera | Roswell A. Hoffmann | Assistant Camera |
| Camera | Barney Summers | Grip |
| Sound | Gilbert Kurland | Music Supervisor |
| Sound | John W. Rixey | Assistant Sound Engineer |
| Camera | Mickey Marigold | Still Photographer |
| Lighting | Warren Monroe | Electrician |
| Writing | George O'Neil | Screenplay |
| Costume & Make-Up | Vera West | Costume Design |
| Sound | Joe Lapis | Sound Engineer |
| Writing | William Hurlbut | Screenplay |
| Sound | Gilbert Kurland | Sound Engineer |
| Camera | Alan Jones | Camera Operator |
| Editing | Harold Palmer | Assistant Editor |
| Crew | Carl Laemmle | Presenter |
| Camera | Paul Hill | Assistant Camera |
| Writing | Arthur Richman | Screenplay |
| Directing | Scott R. Beal | Assistant Director |
| Art | Ernie Smith | Property Master |
| Writing | Frederick Lewis Allen | Novel |
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