A white lawyer finds his values shaken when he is paired with an angry Indigenous activist who insists on kidnapping the head of a logging company to teach him the price of his destruction.
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| Camera | François Protat | Director of Photography |
| Production | Ian McDougall | Producer |
| Production | Stephen Alix | Executive Producer |
| Production | Stephen J. Roth | Producer |
| Editing | Michael Rea | Editor |
| Directing | Ryszard Bugajski | Director |
| Writing | M.T. Kelly | Novel |
| Production | Shelley Gillen | Associate Producer |
| Art | Perri Gorrara | Production Design |
| Art | Shirley Gulliford | Assistant Property Master |
| Crew | Ted Ross | Special Effects |
| Crew | Marco Bianco | Stunts |
| Directing | Ron Oxley | Third Assistant Director |
| Costume & Make-Up | Kathy Vieira | Costume Design |
| Art | Ane Christensen | Property Master |
| Production | Fred Kamping | Location Manager |
| Costume & Make-Up | Jane Fieber | Wardrobe Assistant |
| Costume & Make-Up | Marie-Angèle Protat | Key Makeup Artist |
| Directing | Karen Lee Hall | Second Assistant Director |
| Art | Ken Watkins | Art Direction |
| Art | Carolyn A. Loucks | Assistant Set Decoration |
| Art | Thierry Bannon | Set Dresser |
| Crew | John Stoneham Jr. | Stunts |
| Costume & Make-Up | Eva Coudouloux | Assistant Makeup Artist |
| Costume & Make-Up | Sandra Caputi | Hairdresser |
| Crew | Rick Forsayeth | Stunts |
| Writing | Shelley Gillen | Script Editor |
| Art | Botch Bannon | Set Dresser |
| Crew | Shelley Cook | Stunts |
| Writing | Robert Forsyth | Screenplay |
| Production | Joyce Fundytus | Assistant Location Manager |
| Costume & Make-Up | Ivan Lynch | Wig Designer |
| Production | Deirdre Bowen | Casting Director |
| Directing | Barbara Gordon | Script Supervisor |
| Art | Norman Sponhcia | Set Dresser |
| Camera | Michael Sinyi | Assistant Camera |
| Lighting | Craig Wright | Best Boy Electric |
| Crew | Henri Fiks | Second Unit Cinematographer |
| Art | Ed Doerksen | Construction Coordinator |
| Directing | Ian McDougall | Second Unit Director |
| Art | Kim Hamin | Painter |
| Lighting | Richard Allen | Gaffer |
| Camera | Michael O'Connor | Key Grip |
| Sound | Clark McCarron | Sound Mixer |
| Production | Melody Comrie | Production Coordinator |
| Sound | Al Ormerod | Sound Re-Recording Mixer |
| Camera | Ron Forward | Best Boy Grip |
| Editing | Patricia Lambkin | First Assistant Editor |
| Crew | Branko Racki | Stunt Coordinator |
| Crew | Ricardo Spinacé | Scenic Artist |
| Camera | Jon Cassar | Steadicam Operator |
| Camera | Jon Cassar | Camera Operator |
| Production | Chris Comrie | Assistant Production Coordinator |
| Production | Stephen J. Roth | Executive Producer |
| Sound | Fred Brennan | Dialogue Editor |
| Sound | Andy Malcolm | Foley Artist |
| Crew | Matthew Wolchock | Transportation Coordinator |
| Sound | Dale Sheldrake | ADR Editor |
| Crew | Dwayne Jeffries | Carpenter |
| Production | Tina Gerussi | Casting Assistant |
| Camera | Carrie Laurin | Camera Trainee |
| Crew | Christopher Raucamp | Second Unit Cinematographer |
| Editing | Ronald Sanders | Consulting Editor |
| Camera | Craig Ibbotson | Underwater Camera |
| Camera | Tony Guerin | First Assistant Camera |
| Sound | Donald Quan | Orchestrator |
| Camera | Fred Armstrong | Grip |
| Sound | Matthew Stark | Boom Operator |
| Sound | James A. Gore | Assistant Foley Artist |
| Camera | Michael Carella | Assistant Camera |
| Crew | Frank Mizzi | Transportation Captain |
| Costume & Make-Up | Linda Leduc | Wardrobe Assistant |
| Art | Gareth Wilson | Set Decoration |
| Art | Coco Pie Brizard | Set Dresser |
| Art | Tom de Grey | Head Carpenter |
| Crew | David Valyear | Carpenter |
| Camera | Pauline Heaton | Underwater Camera |
| Camera | Russel Bowie | Camera Trainee |
| Sound | Dino Pigat | Sound Re-Recording Mixer |
| Editing | Chris Hinton | Color Timer |
| Camera | Brad Creassar | Additional First Assistant Camera |
| Directing | William Spahic | First Assistant Director |
| Sound | Shane Harvey | Original Music Composer |
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