The world of Eternia in the aftermath of Skeletor's war on Castle Grayskull, which he has won after seizing Grayskull and the surrounding city using a cosmic key developed by the locksmith Gwildor. The Sorceress is now Skeletor's prisoner and he begins to drain her life-force as he waits for the moon of Eternia to align with the Great Eye of the Universe that will bestow god-like power upon him.
Unfortunately the movie Masters of the Universe is not yet available on Netflix. Follow us on Facebook to see when Masters of the Universe becomes available on Netflix!
Directing | Gary Goddard | Director |
Sound | Bill Conti | Original Music Composer |
Editing | Anne V. Coates | Editor |
Writing | David Odell | Screenplay |
Production | Edward R. Pressman | Executive Producer |
Production | Yoram Globus | Producer |
Production | Menahem Golan | Producer |
Camera | Hanania Baer | Director of Photography |
Art | Robert Howland | Art Direction |
Art | Claudio Mazzoli | Conceptual Design |
Art | Daniel Gluck | Set Decoration |
Production | Victoria Thomas | Casting |
Art | Wenden K. Baldwin | Title Designer |
Costume & Make-Up | Lawrence Richter | Wardrobe Supervisor |
Art | Lynn Christopher | Assistant Art Director |
Costume & Make-Up | Julie Weiss | Costume Design |
Art | Edward Eyth | Conceptual Design |
Art | Mike Johnson | Set Decoration |
Art | Kathe Klopp | Set Decoration |
Art | Joe Griffith | Conceptual Design |
Art | William Stout | Production Design |
Art | Mary K. Perko | Art Department Coordinator |
Directing | Adrienne Hamalian-Mangine | Script Supervisor |
Visual Effects | Bill Neil | VFX Director of Photography |
Camera | Ken Sax | Still Photographer |
Camera | Rick Davis | Dolly Grip |
Sound | Dean Okrand | Sound Re-Recording Mixer |
Costume & Make-Up | Angelo Di Biase | Hairstylist |
Camera | Skip Cook | Key Grip |
Sound | Stephen A. Hope | Music Editor |
Visual Effects | Garry Waller | Visual Effects Supervisor |
Sound | Jenny Weyman-Cockle | ADR Editor |
Costume & Make-Up | Michael Westmore | Makeup Designer |
Camera | Michael E. Little | First Assistant Camera |
Visual Effects | Deborah Gaydos | Animation |
Visual Effects | Ellen Kitz | Special Effects Supervisor |
Costume & Make-Up | Todd McIntosh | Makeup Department Head |
Costume & Make-Up | Robin Beauchesne | Makeup Artist |
Visual Effects | Paulette Smook Marshall | Special Effects Supervisor |
Crew | Michael Backauskas | Visual Effects Editor |
Sound | Mark Goodermote | Boom Operator |
Sound | Gary C. Bourgeois | Sound Re-Recording Mixer |
Sound | Robert R. Rutledge | Supervising Sound Editor |
Visual Effects | Glenn Chaika | Animation |
Visual Effects | Mauro Maressa | Animation |
Sound | John A. Larsen | Supervising Sound Editor |
Sound | Robert Martel | Foley Editor |
Visual Effects | Eusebio Torres | Animation |
Lighting | Ron McCausland | Rigging Grip |
Crew | Dennis Michelson | Visual Effects Editor |
Editing | Helen Hahn | Negative Cutter |
Costume & Make-Up | June Westmore | Makeup Artist |
Sound | Anna Behlmer | Sound Recordist |
Costume & Make-Up | Lori Benson | Hairstylist |
Sound | Paula Erickson | Music Supervisor |
Lighting | James Rosenthal | Gaffer |
Visual Effects | Rexford L. Metz | VFX Director of Photography |
Sound | Marilyn McCoppen | ADR Editor |
Art | Kyle Seidenbaum | Title Designer |
Crew | Terry Windell | Visual Effects Art Director |
Sound | Ed Novick | Sound Designer |
Camera | Dan Elsasser | Camera Operator |
Sound | Mary Jo Devenney | Boom Operator |
Sound | Chris Carpenter | Sound Re-Recording Mixer |
Visual Effects | Michael Van Himbergen | Visual Effects Coordinator |
Sound | George Berndt | ADR Supervisor |
Costume & Make-Up | Zandra Platzek | Hairstylist |
Sound | Stanley B. Gill | Sound Recordist |
Crew | Brent Boates | Visual Effects Art Director |
Production | Renee Milliken | Casting Assistant |
Production | Michael Flynn | Associate Producer |
Production | Evzen Kolar | Associate Producer |
Production | Stephen Milburn Anderson | Location Manager |
Crew | Alain Jakubowicz | Post Production Supervisor |
Crew | Michael Alden | Post Production Supervisor |
Production | Elliot Schick | Production Manager |
Production | Bart Heimburger | Location Manager |
Production | Alan Gershenfeld | Production Manager |
Production | Cynthia R. Woodard | Location Manager |
Production | Elliot Schick | Co-Producer |
Crew | Lillian Glass | Dialogue Coach |
Art | Douglas E. Maxwell | Leadman |
Crew | James D. McGeachy | Armorer |
Directing | Frederic B. Blankfein | First Assistant Director |
Art | Michael Reinhart | Construction Foreman |
Editing | Christopher Cibelli | Assistant Editor |
Crew | Walter Scott | Stunt Coordinator |
Camera | Brian H. Reynolds | Key Grip |
Crew | Anthony De Longis | Stunt Double |
Art | Leo Rijn | Sculptor |
Directing | John Eyler | Second Assistant Director |
Visual Effects | Richard Edlund | Visual Effects Supervisor |
Crew | Douglas S. Turner | Armorer |
Costume & Make-Up | Douglas S. Turner | Costume Coordinator |
Crew | Loren Janes | Stunt Coordinator |
Lighting | Mark Buckalew | Best Boy Electric |
Crew | Tony Brubaker | Stunts |
Crew | Charles Croughwell | Stunts |
Crew | Janet Brady | Stunts |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!