Vera, imprisoned at a military fortress during the dictatorship, 1969, get to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera’s mother. Despite the horrors of the time, the film works on this possibility of a dialogue between two lonely and lost human beings: a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debates with her students about politics, forgiveness and Hannah Arendt.
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| Editing | Marih Oliveira | Editor |
| Writing | Lúcia Murat | Writer |
| Production | Felicitas Raffo | Producer |
| Sound | Ezequiel Menalled | Music |
| Directing | Lúcia Murat | Director |
| Editing | Mair Tavares | Editor |
| Crew | Jacob Solitrenick | Cinematography |
| Writing | Tunico Amâncio | Writer |
| Sound | Roberto Oliveira | Sound |
| Production | Lúcia Murat | Producer |
| Production | Branca Murat | Executive Producer |
| Production | Irene Calado | Executive Producer |
| Production | Pamela Livia Delgado | Executive Producer |
| Production | Julia Levy | Executive Producer |
| Production | Luciana Motta | Production Director |
| Art | André Weller | Art Direction |
| Costume & Make-Up | Preta Marques | Wardrobe Designer |
| Sound | Simone Petrillo | Sound Editor |
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