A French ballerina falls in love with an American paratrooper on a two day pass in London near the end of World War II.
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| Directing | Curtis Bernhardt | Director |
| Writing | S. N. Behrman | Screenplay |
| Writing | George Froeschel | Screenplay |
| Writing | Albert Hackett | Screenplay |
| Writing | Charles Lederer | Screenplay |
| Writing | Frances Goodrich | Screenplay |
| Art | Edwin B. Willis | Set Decoration |
| Sound | Conrad Salinger | Original Music Composer |
| Writing | Lorenz Hart | Lyricist |
| Writing | Robert E. Sherwood | Theatre Play |
| Crew | Michel Panaieff | Choreographer |
| Art | Jack D. Moore | Set Decoration |
| Sound | Charles Wolcott | Music Supervisor |
| Costume & Make-Up | Helen Rose | Costume Design |
| Costume & Make-Up | Sydney Guilaroff | Hair Designer |
| Costume & Make-Up | William Tuttle | Makeup Designer |
| Production | Edwin H. Knopf | Producer |
| Sound | Charles Wolcott | Conductor |
| Editing | John McSweeney Jr. | Editor |
| Sound | Wesley C. Miller | Recording Supervision |
| Sound | Richard Rodgers | Music |
| Art | Cedric Gibbons | Art Direction |
| Crew | Donald Jahraus | Special Effects |
| Directing | William Shanks | Assistant Director |
| Crew | A. Arnold Gillespie | Special Effects |
| Writing | Hans Rameau | Screenplay |
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