November 1943, German-occupied Belgium. In the face of grave danger if caught, the Independent Front, a Belgian resistance organization, publishes a spoof edition of Le Soir to satirize the German occupiers and the nation’s main propaganda-controlled newspaper. Le Faux Soir is considered the first act of media hacking in history.
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| Directing | Michaël R. Roskam | Director |
| Writing | Michaël R. Roskam | Writer |
| Sound | Christophe Chassol | Original Music Composer |
| Directing | Matthieu de la Mortière | First Assistant Director |
| Directing | Céline Morsomme | Third Assistant Director |
| Production | Philippe Logie | Associate Producer |
| Production | Jean-Yves Roubin | Producer |
| Costume & Make-Up | Barbara Bijelic | Hair Designer |
| Directing | Florence Gilson | Second Assistant Director |
| Directing | Charlène Sales | Second Assistant Director |
| Art | Antonin Morel | Location Scout |
| Writing | Bernard Falaise | Writer |
| Camera | Nicolas Karakatsanis | Director of Photography |
| Production | Serge Catoire | Production Director |
| Writing | Domenico La Porta | Writer |
| Production | Alice Girard | Producer |
| Production | Vincent Maraval | Producer |
| Production | Bernard Marchant | Co-Producer |
| Production | Michaël R. Roskam | Producer |
| Production | Cassandre Warnauts | Producer |
| Costume & Make-Up | Dorothée Guiraud | Costume Designer |
| Directing | Amit Sternberg | Crowd Assistant Director |
| Art | Pascal Degrune | Storyboard Artist |
| Production | Gabriël Jeannet | Location Assistant |
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