A tribe of primitive "mudpeople" encounter a croquet ball, rolling through their forest. Following it, they find themselves on a vast, deserted Long Island estate. Entering, they begin to become civilized and assume the stereotypical roles and dress of people at a weekend party. There follows an allegory of upper-class behavior. At last, they begin to devolve toward their original status, and after a battle at croquet, they disappear into the woods.
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| Directing | James Ivory | Director |
| Writing | George W.S. Trow | Screenplay |
| Editing | Kent McKinney | Editor |
| Production | Anthony Korner | Associate Producer |
| Costume & Make-Up | Joan Hanfling | Costume Design |
| Costume & Make-Up | Susan Schlossman | Costume Design |
| Production | Jean-Luc Botbol | Production Manager |
| Sound | Gary Alper | Sound |
| Production | Ismail Merchant | Producer |
| Costume & Make-Up | Gloria Natale | Makeup Artist |
| Production | Joseph Saleh | Executive Producer |
| Costume & Make-Up | Martin Downey | Hairstylist |
| Sound | Joe Raposo | Original Music Composer |
| Art | Jack Wright III | Production Design |
| Camera | Walter Lassally | Director of Photography |
| Writing | James Ivory | Idea |
| Writing | Michael O'Donoghue | Screenplay |
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