Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
Is Back to the Future on Netflix? Yes! The movie Back to the Future is now on Netflix in the countries listed below.
| Sound | Alan Silvestri | Original Music Composer |
| Sound | Alan Silvestri | Conductor |
| Directing | Robert Zemeckis | Director |
| Writing | Robert Zemeckis | Writer |
| Editing | Arthur Schmidt | Editor |
| Production | Steven Spielberg | Executive Producer |
| Crew | Steven Spielberg | Presenter |
| Production | Kathleen Kennedy | Executive Producer |
| Art | Lawrence G. Paull | Production Design |
| Production | Jane Feinberg | Casting |
| Production | Mike Fenton | Casting |
| Production | Frank Marshall | Executive Producer |
| Directing | Frank Marshall | Second Unit Director |
| Crew | Arthur F. Repola | Post Production Supervisor |
| Production | Judy Taylor | Casting |
| Production | Bob Gale | Producer |
| Writing | Bob Gale | Writer |
| Production | Neil Canton | Producer |
| Camera | Dean Cundey | Director of Photography |
| Editing | Harry Keramidas | Editor |
| Art | Hal Gausman | Set Decoration |
| Directing | David McGiffert | First Assistant Director |
| Art | Todd Hallowell | Art Direction |
| Crew | Eric Stoltz | Stunt Driver |
| Crew | Ted Moehnke | Pyrotechnician |
| Costume & Make-Up | Deborah Lynn Scott | Costume Design |
| Sound | Charles L. Campbell | Supervising Sound Editor |
| Crew | Richard E. Butler | Stunts |
| Crew | Charles Croughwell | Stunt Double |
| Production | Dennis E. Jones | Unit Production Manager |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Crew | Walter Scott | Stunt Coordinator |
| Crew | Bob Yerkes | Stunts |
| Production | Leanne Moore | Production Accountant |
| Sound | James B. Campbell | Orchestrator |
| Sound | William B. Kaplan | Production Sound Mixer |
| Sound | Earl Sampson | Boom Operator |
| Crew | Bonne Radford | Production Controller |
| Camera | Raymond Stella | Camera Operator |
| Production | Jack Grossberg | Unit Production Manager |
| Crew | John-Clay Scott | Stunts |
| Camera | Clyde E. Bryan | First Assistant Camera |
| Crew | Spiro Razatos | Stunts |
| Crew | Max Kleven | Stunts |
| Crew | Per Welinder | Stunts |
| Visual Effects | Kevin Pike | Special Effects Supervisor |
| Sound | Etta James | Songs |
| Crew | Loren Janes | Stunts |
| Sound | Gary A. Hecker | Foley Artist |
| Sound | Takeo Ogawa | Sound Designer |
| Sound | John Roesch | Foley |
| Costume & Make-Up | Dorothy Byrne | Hairstylist |
| Art | Cameron Birnie | Set Designer |
| Art | Drew Struzan | Other |
| Costume & Make-Up | Elizabeth Rabe | Hairstylist |
| Camera | Ray Gilberti | Assistant Camera |
| Editing | Terry Haggar | Color Timer |
| Art | John Zemansky | Property Master |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Sound | Kenneth Karman | Music Editor |
| Sound | Greg Orloff | Foley Mixer |
| Sound | John A. Larsen | Sound Editor |
| Production | Paul Pav | Location Manager |
| Visual Effects | Wes Takahashi | Animation Supervisor |
| Costume & Make-Up | Robert Iannaccone | Costume Supervisor |
| Crew | John Feinblatt | Transportation Coordinator |
| Lighting | Mark Walthour | Chief Lighting Technician |
| Sound | Larry Singer | Supervising ADR Editor |
| Sound | Bones Howe | Music Supervisor |
| Crew | Bernie Pock | Stunts |
| Costume & Make-Up | Brian Callahan | Costume Supervisor |
| Costume & Make-Up | Julie Starr Dresner | Set Costumer |
| Costume & Make-Up | Julie Starr Dresner | Key Costumer |
| Sound | Robert R. Rutledge | Supervising Sound Editor |
| Editing | Barbara Palmer Dixon | Assistant Editor |
| Art | Tim Stadler | Painter |
| Lighting | Albert Hood | Electrician |
| Crew | Marsha Robertson | Unit Publicist |
| Visual Effects | Charlie Mullen | Animation Supervisor |
| Crew | Phillip Norwood | Visual Effects Art Director |
| Sound | Alan L. Nineberg | ADR Editor |
| Editing | Donah Bassett | Negative Cutter |
| Art | Nina Saxon | Title Designer |
| Camera | Ronald Woodward | Key Grip |
| Sound | Sonny Pettijohn | Apprentice Sound Editor |
| Camera | Dan Cooper | Best Boy Grip |
| Costume & Make-Up | Haleen K. Holt | Costume Illustrator |
| Crew | Gregory Dultz | Driver |
| Editing | Michael Moore | Assistant Editor |
| Crew | Brad Jeffries | Choreographer |
| Crew | Ramon Pahoyo | Craft Service |
| Production | Warren Franklin | General Manager |
| Art | Ernest Depew | Construction Coordinator |
| Art | Dick Lasley | Production Illustrator |
| Camera | Dic Alexander | Grip |
| Crew | Al Gaynor | Scenic Artist |
| Production | Laurie Vermont | Production Coordinator |
| Sound | Lawrence Jordan | Assistant Sound Editor |
| Visual Effects | Ellen Lichtwardt Goodchild | Visual Effects |
| Sound | Darcy Vebber | Utility Sound |
| Camera | Steve Tate | Second Assistant Camera |
| Lighting | Thomas Marshall | Assistant Chief Lighting Technician |
| Art | Joe Pfaltzgraf | Assistant Property Master |
| Camera | Richard Babin | Dolly Grip |
| Production | Robert R. Draney | Assistant Accountant |
| Production | Rob Stevens | Assistant Production Coordinator |
| Visual Effects | Donna K. Baker | Rotoscoping Artist |
| Crew | Alexander Xavier Ponce-Bonano | Scientific Consultant |
| Crew | Robert Schmelzer | Stunts |
| Crew | Jimmy Corona Rooney | Stunts |
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