April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.
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| Writing | Rafael Azcona | Writer |
| Writing | Fernando Trueba | Writer |
| Directing | Fernando Trueba | Director |
| Writing | Manuel Huete | Story |
| Directing | Carmen Martínez Rebé | Second Assistant Director |
| Camera | Alfredo Díaz | Key Grip |
| Costume & Make-Up | Juan Pedro Hernández | Makeup Artist |
| Editing | Pablo Blanco | Assistant Editor |
| Editing | Carmen Frías | Editor |
| Art | Ramón Moya | Settings |
| Sound | Alfonso Pino | Sound Mixer |
| Production | Alfonso Jadraque | Location Manager |
| Art | Josep Rosell i Palau | Production Design |
| Production | Esther García | Assistant Production Manager |
| Directing | Eusebio Graciani | Assistant Director |
| Costume & Make-Up | Peris | Wardrobe Master |
| Art | Luis Argüello | Art Direction |
| Production | Juan Botella | Assistant Production Manager |
| Art | Luciano Romero | Assistant Property Master |
| Costume & Make-Up | María Teresa García Trueba | Wardrobe Master |
| Crew | Ángel Megino | Transportation Coordinator |
| Sound | Francisco Guerrero | Music |
| Camera | Juan Amorós | Director of Photography |
| Costume & Make-Up | Luis Argüello | Costume Design |
| Production | Jaime Botella | Assistant Production Manager |
| Crew | Juan Sánchez | Special Effects |
| Directing | Marisa Ibarra | Script Supervisor |
| Camera | Enrique Arias | Second Assistant Camera |
| Lighting | Rafael Castro | Electrician |
| Production | Cristina Huete | Production Manager |
| Art | Agustín Alcázar | Props |
| Sound | Luis Castro | Sound Effects |
| Sound | Antonio 'Mármol' Rodríguez | Sound Recordist |
| Lighting | Francisco Durán | Electrician |
| Camera | Ángel Gómez Martín | Grip |
| Sound | Jean-Claude Laureux | Sound |
| Camera | Juan Amorós | Camera Operator |
| Camera | Joaquín Manchado | Assistant Camera |
| Costume & Make-Up | Lala Huete | Assistant Costume Designer |
| Sound | Ángel Muñoz Alonso | Music Consultant |
| Production | Andrés Vicente Gómez | Producer |
| Costume & Make-Up | Jorge Hernández Lobo | Assistant Makeup Artist |
| Crew | Fernando Fernández | Generator Operator |
| Costume & Make-Up | Teresa Matías | Hairstylist |
| Editing | Benjamín Garrido | Assistant Editor |
| Art | Juan de la Flor | Property Master |
| Lighting | Rafael García Martos | Gaffer |
| Sound | Gilles Ortion | Boom Operator |
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