Before going on vacation, self-involved psychiatrist Dr. Leo Marvin has the misfortune of taking on a new patient: Bob Wiley. An exemplar of neediness and a compendium of phobias, Bob follows Marvin to his family's country house. Dr. Marvin tries to get him to leave; the trouble is, everyone loves Bob. As his oblivious patient makes himself at home, Dr. Marvin loses his professional composure and, before long, may be ready for the loony bin himself.
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| Production | Bernard Williams | Co-Producer |
| Writing | Tom Schulman | Screenplay |
| Camera | Michael Ballhaus | Director of Photography |
| Costume & Make-Up | Bernie Pollack | Costume Design |
| Directing | James W. Skotchdopole | First Assistant Director |
| Art | Leslie Dilley | Production Design |
| Camera | Florian Ballhaus | First Assistant Camera |
| Art | Anne Kuljian | Set Decoration |
| Editing | Anne V. Coates | Editor |
| Production | Laura Ziskin | Producer |
| Writing | Laura Ziskin | Story |
| Writing | Alvin Sargent | Story |
| Production | Sandy Isaac | Post Production Coordinator |
| Directing | Frank Oz | Director |
| Sound | Doc Kane | ADR Mixer |
| Sound | Catherine Harper | Foley Artist |
| Camera | David M. Dunlap | Camera Operator |
| Production | Glenn Daniels | Casting |
| Costume & Make-Up | Matthew W. Mungle | Makeup Artist |
| Editing | Christopher Cibelli | Assistant Editor |
| Sound | Miles Goodman | Original Music Composer |
| Sound | John K. Carr | Sound Editor |
| Editing | James D.R. Hickox | Assistant Editor |
| Sound | David J. Hudson | Sound Re-Recording Mixer |
| Sound | Mel Metcalfe | Sound Re-Recording Mixer |
| Sound | Terry Porter | Sound Re-Recording Mixer |
| Production | David C. Anderson | Unit Production Manager |
| Directing | Donald J. Lee Jr. | Second Assistant Director |
| Production | Lisa Lynn Kearsley | Production Coordinator |
| Art | Russell Bobbitt | Property Master |
| Crew | Bobby Burns | Stunts |
| Sound | Pieter Hubbard | Sound Editor |
| Sound | Edward M. Steidele | Foley Artist |
| Production | Charles Thomas Baxter | Location Manager |
| Art | Wayne Shepherd | Leadman |
| Art | Douglas Fox | Property Master |
| Art | Brett C. Smith | Set Dresser |
| Lighting | James R. Tynes | Chief Lighting Technician |
| Camera | Barry Wetcher | Still Photographer |
| Visual Effects | Richard O. Helmer | Special Effects Supervisor |
| Sound | Devon Heffley Curry | ADR Editor |
| Sound | Nancy Fogarty | Music Editor |
| Sound | Kenneth C. Mantlo | Boom Operator |
| Costume & Make-Up | Hugo Peña | Costume Supervisor |
| Directing | Susan Malerstein | Script Supervisor |
| Costume & Make-Up | Emanuel Millar | Hairstylist |
| Art | Jack Blackman | Art Direction |
| Camera | Stuart Abramson | Key Grip |
| Camera | Bobby Mancuso | Second Assistant Camera |
| Sound | Hal Sanders | Sound Editor |
| Sound | Bill Phillips | Supervising Sound Editor |
| Crew | Michael Steve Jones | Stunts |
| Art | Roger G. Fortune | Set Designer |
| Sound | Ed White | Sound Mixer |
| Art | Michael R. Clark | Painter |
| Art | Donald G. Helderle | Construction Foreman |
| Production | Dana Williams | Production Coordinator |
| Camera | Arthur Blum | Dolly Grip |
| Crew | Jim Kindelon | Stunts |
| Art | Ken Scaife | Construction Coordinator |
| Crew | Dennis Scott | Stunt Coordinator |
| Sound | John Phillips | Sound Editor |
| Camera | Craig Kohtala | Best Boy Grip |
| Sound | Bruce Bell | Foley Mixer |
| Art | Frank B. Nieves | Construction Foreman |
| Sound | Liz Carlin | Assistant Sound Editor |
| Sound | David Grannis | Assistant Sound Editor |
| Sound | Scott Shadden | Assistant Sound Editor |
| Lighting | Robert W. Meyers | Rigging Gaffer |
| Crew | Rafe Blasi | Unit Publicist |
| Production | Tandi Slater | Production Accountant |
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