London publicist Helen, effortlessly slides between parallel storylines that show what happens when she does or does not catch a train back to her apartment. Love. Romantic entanglements. Deception. Trust. Friendship. Comedy. All come into focus as the two stories shift back and forth, overlap and surprisingly converge.
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| Camera | Remi Adefarasin | Director of Photography |
| Production | Sydney Pollack | Producer |
| Editing | John Smith | Editor |
| Costume & Make-Up | Jill Taylor | Costume Design |
| Costume & Make-Up | Simon Thompson | Key Hair Stylist |
| Production | Philippa Braithwaite | Producer |
| Costume & Make-Up | Tina Earnshaw | Key Makeup Artist |
| Directing | Richard Whelan | First Assistant Director |
| Sound | David B. Cohn | Sound Editor |
| Sound | Beth Sterner | Sound Editor |
| Visual Effects | Bob Hollow | Special Effects Supervisor |
| Sound | John Finklea | Music Editor |
| Art | Martyn John | Art Direction |
| Crew | Helen Caldwell | Stunt Coordinator |
| Camera | Alex Bailey | Still Photographer |
| Camera | Alf Tramontin | Steadicam Operator |
| Production | William Horberg | Producer |
| Art | Maria Djurkovic | Production Design |
| Directing | Ceri Evans | Script Supervisor |
| Production | Michelle Guish | Casting |
| Sound | Anita Camarata | Music Supervisor |
| Camera | Jeremy Gee | Camera Operator |
| Writing | Peter Howitt | Screenplay |
| Directing | Peter Howitt | Director |
| Directing | Sara Desmond | Second Assistant Director |
| Sound | David Hirschfelder | Music |
| Sound | Laura Lovejoy | Dialogue Editor |
| Sound | Sam Walsh | Foley Mixer |
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