In 1972, disenchanted about the dreary conventions of English life, 25-year-old Julia heads for Morocco with her daughters, six-year-old Lucy and precocious eight-year-old Bea.
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| Writing | Billy MacKinnon | Screenplay |
| Production | Ann Scott | Producer |
| Writing | Esther Freud | Novel |
| Directing | Gillies MacKinnon | Director |
| Editing | Pia Di Ciaula | Editor |
| Sound | John E. Keane | Original Music Composer |
| Camera | John de Borman | Director of Photography |
| Art | Pierre Gompertz | Production Design |
| Costume & Make-Up | Kate Carin | Costume Design |
| Art | Louise Marzaroli | Production Design |
| Art | Jon Henson | Art Direction |
| Production | Susie Figgis | Casting |
| Production | Paul Sarony | Line Producer |
| Production | Emmanuel Schlumberger | Co-Producer |
| Production | Hilary Benson | Production Manager |
| Production | Khadija Alami | Production Coordinator |
| Directing | Susanna Lenton | Script Supervisor |
| Production | Juliette Ménager | Casting |
| Production | Simon Relph | Executive Producer |
| Production | Ahmed Abounouom | Casting Assistant |
| Production | Ann Lynch | Production Coordinator |
| Writing | Stephanie Guerrasio | Script Editor |
| Production | Pierre Sayag | Line Producer |
| Production | Omar Jawal | Production Manager |
| Production | Marina Gefter | Co-Producer |
| Production | Annabel Karouby | Co-Producer |
| Production | Mark Shivas | Executive Producer |
| Production | Hassan Bajja | Location Manager |
| Crew | Alistair Hopkins | Post Production Supervisor |
| Sound | Zane Hayward | Supervising Sound Editor |
| Sound | Stewart Henderson | Dialogue Editor |
| Art | Mike Malik | Property Master |
| Camera | Sophie Baker | Still Photographer |
| Sound | Dave McGrath | ADR Editor |
| Directing | Jim Threapleton | Assistant Director |
| Camera | Rosalyn Ellis | Clapper Loader |
| Camera | Chyna Thomson | Focus Puller |
| Camera | Alastair Rae | Steadicam Operator |
| Camera | Chris Weightman | Camera Car |
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