The film presents a series of unrelated "pictures": a police commissioner who, faced with four friars stripped by two women, must decide whether they are real or false friars (but he can't); a professor who, suffering from acute dysentery, is dismissed for unworthiness by the Institute Council; a football referee trying to escape the ire of angry fans; an endless marathon in Piazza Navona; a true but crazy producer, a not crazy but fake producer and a group of actors who want to take revenge on one and the other; a "club of toasts" that spends its time toasting to this and that, to elect new members and honorary members; finally, a censorship commission that, aboard an old and very battered car, fails to reach his workplace.
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Sound | Pippo Caruso | Music |
Costume & Make-Up | Tony Randaccio | Costume Design |
Costume & Make-Up | Marcello Longhi | Hair Designer |
Crew | Elio Bisignani | Cinematography |
Costume & Make-Up | Maria Fiocca | Makeup Artist |
Editing | Marcello Malvestito | Editor |
Costume & Make-Up | Stefania Trani | Makeup Designer |
Editing | Alberto Moriani | Editor |
Directing | Marcello Troiani | Director |
Costume & Make-Up | Silvio Laurenzi | Costume Design |
Directing | Mario Jurisic | Assistant Director |
Art | Davide Bassan | Set Decoration |
Sound | Antonio Pantano | Boom Operator |
Costume & Make-Up | Caterine Campana | Hair Assistant |
Writing | Francesco Milizia | Writers' Assistant |
Production | Marcello Troiani | Producer |
Art | Vincenzo Morozzi | Set Designer |
Art | Giuseppe Bassan | Production Design |
Writing | Marcello Troiani | Writer |
Sound | Roberto Alberghini | Sound |
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