S. writes to Juan, who is deeply asleep. She reflects on images and cinema, and a piece of advice from a director she admires challenges her and all her previous work. Determined to find an idea behind the images she has recorded so far, S. wanders among materials, her own archive of images and sounds, internet browser tabs, western films and Japanese short stories. S. compiles all these thoughts and findings into a letter, hoping to deliver it to Juan when he wakes up.
This film journeys through the ancient world to explore the Lord’s Prayer in the places where Jesus first spoke it. Hosted by Brad Gray and enriched by insights from N. T. Wright and other scholars, it reveals each line as an invitation to live God’s kingdom in everyday life. Through vivid landscapes and thoughtful scholarship, it uncovers the cultural, historical, and spiritual depth behind the prayer and invites viewers to rediscover its enduring power.
Maya is a young woman who moves to a new city, leaving her home and childhood behind. At the train station, shortly before her departure, she looks back and remembers all the beautiful and difficult moments of her childhood.
Mushroom picking is actually a peaceful activity – but hardly anyone thinks about how the mushrooms feel about it. A young mushroom discovers the beauty of nature with curiosity. His neighbor, an old, grumpy toadstool, shows little joy in company or nature. Undeterred, the young mushroom seeks closeness – until a sentence from the old man changes everything: "They'll eat you!" Before he even understands what that means, the mushroom is torn from the ground and finds himself in a nightmare: knives, pots, fire – a kitchen full of dead mushrooms. Desperately fighting for survival, he manages to escape and return to the clearing. The old fly agaric can hardly believe that the little one has made it. For the first time in a long time, his heart warms.
A stop-motion and 2D animated short film about damage and how we deal with it, visualized through a fragile space that receives a clumsy visitor. It is an exploration by the creator into material, technique, and learning to open up.
Dunya, a man living in a modest rented room, only wants to escape the stench that seeps through his window every time the neighborhood hosts a bird contest. To stop people from urinating there, he builds a fake grave complete with offerings to make it look sacred. But his small act of deception spirals into absurdity: the window becomes a revered site, offerings keep coming, the local economy begins to thrive, and the place evolves into an unexpected religious attraction beyond his control.
Twenty-nine-year-old Sasha Chusov has been growing giant pumpkins on his six-acre plot of land in the Moscow region for many years. For him, it's an agrosport and a path to the title of "Pumpkin King." Last year, Sasha set a Russian record with his 817-kilogram pumpkin. This year, he truly believes his pumpkin will not only weigh over a ton but also become the heaviest in the world. After all, he's already purchased a selective seed at auction and built a greenhouse with heat pumps, a heating system, irrigation, and ventilation. He controls everything from the nutrition to the soil.
The only place where Amelie feels truly safe is her apartment. Here, she can read in peace, fold paper cranes, and quietly observe the world from a safe distance through the window. Every attempt to leave her safe space and make it to the garden fence fails at the threshold. Soon, Amelie risks shutting herself off from the world entirely – until, one day, her young neighbour urgently needs her help.
Jaksa is a student. He spends the summer in his hometown – with friends and with Sonja. But now the summer is over, his mother voices ideas about his future, and Sonja will leave soon. The end of summer forces Jaksa to realize, to decide, and to say goodbye.
The murder of two brothers under a dictatorship, the exile of the older brother, and a posthumous letter reveal intimate secrets that Pablo, his cousin, interprets.
Upon receiving a diagnosis of vaginismus, Lorena begins a kinesiological therapy in which she expresses her insecurities about her body and becomes aware of her fears.
In this intimate short film, a young person reconstructs fragments of their story, tinged with melancholy, grief, and the memory of their mother. Through reflections on sadness, emotional inheritance, and the sea, ‘Azul’ becomes a sensitive portrait of what remains when someone is gone, and of what endures: a voice, a color, a desire. Sometimes everything is tinged with blue.
In a parking lot, Beatrice and Diego find themselves suspended between an unresolved past and a present that bears its shadows. Beatrice decides to break that hard-won appearance of balance, no more lies, no more secrets, just that toxic truth that has been embedded in their relationship for years.
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