Serena, a girl who has always felt a bit different than those around her, commits a ritual using a strange book. She wakes up the next morning to find her body is starting to grow physical abnormalities.
When GATRA’s, desperation forces him to return to stealing cars. Together with TIAR, his old partner in crime, they steal a mysterious car – only to discover a mutilated body and gun. Now hunted by its vengeful owner, the two bandits are plunged into a violent nightmare where dawn is their only salvation; if they live to see it.
Dani Ocean's boyfriend cheated on her. She wants to leave him but he's threating to leak The Word, a document which the sorority posts illegal academic material. If her boyfriend reports this, her sorority could get kicked off campus. So, she's going to steal it back.
Two girls discover an old locket in their classroom. Not too soon after, they find the locket is attached to an unknown spirit that torments them when they attempt to leave.
Atmospheric Offense is an interpretation of Ida Lupino’s 1953 Noir Thriller The Hitch-Hiker that explores how narrative both remains and disappears when exposed to avant-garde techniques, which include removing dialogue, jarring and destructive ellipses, the creation of loops to focus on certain elements, reimagining of time, exaggeration of a certain sinister aesthetic, and a push toward a certain dream like quality. Narrative remains, but with a bastardized and disoriented aftereffect, which transforms it into another way of experiencing it. The spree killings of Billy Cook (portrayed in Lupina’s film by the actor William Talman, and renamed Emmett Myers) are looked at more as a moment in time that begins and ends with vague qualities much like a dream, or an experience of weather in Robert Musil’s The Man Without Qualities.
A teenage girl finds herself haunted by a figure she hasn't seen in a very long time. She doesn't want to see the figure, but the figure definitely wants to see her.
PASSING follows a young woman who finally gathers the courage to say hello to a stranger on a New York street, capturing the quiet tension of a moment where everything could change. What begins as a simple interaction becomes a window into all the ways we hesitate, imagine, and project possibilities onto the people we cross paths with. The film lingers on that brief space between fear and action, where connection feels both within reach and impossibly fragile.
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