Two young film enthusiasts from downtown São Paulo are doing a film rehearsal and, for the final scene, inspired by "The Man Who Left His Will on Film," they want to film a projection onto a woman's body.
In pursuit of enlightenment, a platinum selling record producer left his hedonistic life behind to live in a cave. Nine years later he continues to grapple with the question, what does it mean to be free?
A gust brings with it more than just wind, kicking up a whirlwind of confusion for three unsuspecting bachelors and a young woman determined to find her lost laundry.
In The Outer City (Bayırşəhər), one of Baku’s historically and architecturally significant neighborhoods, large-scale demolition has already begun, placing the city’s memory under threat. For over a year, local residents and architects have been fighting to protect the historic buildings, the urban fabric, and Baku’s unique identity from the excavators’ bucket — yet the scope of destruction keeps expanding day by day. “Beneath the Ruins: The Outer City” is the follow-up to the documentary “Framed: The Outer City.”
A humorous mockumentary set in 2007 Estonia for all the nostalgic viewers who were fans of reality tv shows at the time. The story follows an amateur reporter looking to find a cool story for his brand new TV show. His thirst for fame brings him face to face with an ancient Estonian mythological being, desperate for answers. It’s dangerous and stupid and even weird at times, but you know what they say: the show must go on!
Mohsen is a teenage boy who lives an ordinary life. However, by listening to his friends, telling stories about their exciting lives, he decides to dedicate his life to create memories that he can share with his friends. With the outbreak of war in the country, he embarks on a journey to go to the battlefield and make his own story of life.
A lonely mantis ears a strange sound in the forest. What it encounters will change its life forever. Louva a Deus means in Portuguese mantis, the insect, but it can also mean ‘praise God’, because of their arms.
While driving through a small town, Ofélia Furão feels a tightness in her chest. She decides to go to the nearest clinic – Oásis. After being admitted, she is taken for ‘examinations’ and discovers a unique-looking office, where she meets another patient, Alice Rato. Doubts about this place, and its real intentions, settle in Ofélia. Brought together by chance, these patients, or more precisely, these ‘guinea pigs’, are looking for a way out of the den in which they find themselves.
Three women from different generations discuss their relationship with their body hair, the pressure they felt to shave throughout their lives or the lack of it. How each of them approaches the subject, defending the individuality of their bodies and their right to choose.
The performer’s body explores its surroundings in the manner of a vine’s hooked tips—making contact, sometimes failing, and moving according to rhythms of delay and attunement.
Gisberta, an immigrant trans woman, receives the news that she is HIV positive, causing her to lose all her sources of income and become homeless and addicted. In the building where she finds shelter, she is approached by an extremely aggressive young group.
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