Perched on a bridge overlooking the Kamo River in Japan, a filmmaker imagines what their conversations would be if they were all Singaporeans like him.
Experimental audiovisual work of art. First I used an individually prepared (manipulated) CRT (analog) television, then digital editing followed. This piece refers to the birth of video art when the images were modified with a magnet. The sound / noise was also generated by the magnet, so it is a real-time audiovisual improvisation / 'comprovisation'. Aesthetics of error and visual music where you can almost see what you can hear.
After a "dream" about a guardian of the forest, Samuel, a 25-year-old boy unmotivated by adulthood, recalls the story he experienced as a child: One day, he found a small gnome village in the middle of the forest. He always went to play there to try to spot some creature, until one of the times he returned, he found it destroyed. He salvaged a few remaining pieces, and his mother stored them in a trunk in the basement. That morning, after so many years, he decided to go down to the basement in search of the trunk. With it under his arm, he set off on a hike back into the forest to see the ruins of the village, hoping to find at least some sign of a creature living there. When he gave up on everything, he found a door in the trunk of an old tree. Behind it, the rebuilt village appeared, and the lights began to turn on.
Lily, a struggling actor, has been forced to face the reality of her situation. Rejection after rejection has taken its toll on her. Everyone around her has given up on their dreams and traded them in for stability. But, Lily can't imagine giving up. Acting is her entire life. She can't quit! But, when she lands a lead role in a TV show, it seems like the pieces are actually falling into place. She is doing exactly what she set out to do. All the years of hard work and sacrifice are finally paying off. She's made it. Everything is finally looking up for Lily. But, reality will alway catch up eventually...
In the early 1990s, undercover informant Ronny infiltrates a right-wing extremist cell. But when he realizes the state’s inaction, he begins to doubt his mission. To prevent an imminent attack and force the authorities to respond, he pushes the group toward further radicalization, bringing himself dangerously close to the very thing he was meant to fight.
After the outbreak of the Russian invasion of Ukraine, Viktor leaves Russia to live a freer life in Berlin — far from his family’s expectations and accusations, and from the conventions of an oppressive regime. He falls in love with David, but soon his past catches up with him.
Oil extraction in the Amazon region is contaminating the land and water of a natural paradise. A slow process that threatens the health and traditional culture of local communities. Thirteen women raise their voices against the destruction of their land. Through protests and silent resistance, they confront an opaque global power structure.
The father had once been a violent man; his domestic abuse drove two women out of his life, and afterward, he sank into alcoholism. One day, his son sustained a severe injury—so severe that the hospital offered little hope for recovery. Following this, the son decided to leave home behind. On his journey, he unexpectedly crossed paths with his father's former girlfriends.
Alice, a basketball player, secretly likes Wayne and helps him finds his clothes after a birthday prank. She plans to invite him to see fireworks and confess her feelings despite knowing another girl likes him too. But Wayne never shows up. Alone, she finds a love letter to the other girl in his pocket and walks home in quiet heartbreak.
In Taipei New Park, a woman uses a device meant to find hidden cameras but accidentally brings the park’s statues to life. These statues, linked to Taiwan’s colonial past, seem to rise to avenge a tragic plane crash during a 1964 national day’s military parade under Chiang Kai-shek’s military law.
Just like his deceased father, Nihal is desperately trying to break the vicious cycle of debt and hang on to his small parcel of farmland. Nihal’s refusal to accept the futility of the fight is putting a strain on his recent marriage and testing the patience of his wife, Reet.
The film follows Suresh, a percussionist who moved to Hyderabad in 1997 during the Human Rights and Dalit Rights movement. Despite deep musical knowledge, he struggles for recognition, performing mainly at public meetings and political gatherings. His artistry remains unacknowledged, as he sings and plays with quiet persistence, yearning for his voice to be heard.
a filmmaker setting out to capture the life of demolition worker, an immigrant whose close friends and fellow workers went missing. As the filmmaker attempts to do so, the production faces many symbolic and frustrating obstacles in between. Disheartened, the filmmaker departs the site—defeated, exhausted, and grieving the story they couldn’t tell.
The past is ghosts we left at home. The past is what we always carry with us. "nonplace" attempts to document a place that now exists only in dreams and memories, aiming to connect the ever-changing present with the encapsulated past.
After the apocalypse, only one man remains on Earth. He searches for himself and his origins. The woman he meets helps him discover his true nature. However, upon learning the truth about himself, he refuses to continue the human race.
Exchange of prisoners of war. In the hospital courtyard, hundreds of relatives have gathered — far more than the number of freed Ukrainian service members. Who will embrace their loved one today, and who will have to keep waiting? The first moments of reunion become the climax, as people and viewers share anticipation.
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!
