Ryan, a 22 year old teenager wakes up in the middle of a parking garage with barely any recollection of the past day. He is soon followed by a mysterious figure in black, and is put in a race against time to evade his stalker, figure out who or what he is, and survive the night.
At the height of the Roman Empire, a young girl lives within the walls of Lucus Augusti (Lugo). She suffers visions of the destruction of her home and decides she must prevent it.
Sofia is a young woman who, like everyone else, lives her life intertwined with technology. However, she's unaware that all her daily activities, both online and in real life, are being recorded and stored by a digital entity. One morning, she receives an unexpected visit.
Diego Kiai, a legendary 1980s world karate champion, receives a mysterious call from an old rival he believes he defeated, challenging him to a final fight to see who is the true winner. Diego Kiai, the Argentine Samurai, is the story of an old karate glory who fell into oblivion and fights against the passage of time.
I Can't Save My Friends explores the unnamed, latent emotions of an unnamed protagonist and how he does his best to hide them from the person he's closest to.
As happens to Simone, who was already the protagonist 11 years ago – he was portrayed back then with the other men of the Ciliberti family in the previous film *L'albero di trasmissione* – forced to close his workshop and with it his creations made from scrap, emblems of an unproductive inventiveness, of a fragile but realized utopia. It seems, however, that living on the margins of the present, in a precariousness that is a choice and not a misfortune, is a freedom that is no longer permitted. This new work by Fabrizio Bellomo is a biographical film (about a man, a nonconformist, and his neighborhood), which is at the same time a sequel and itself a film within a film, but also and above all a reflection on the role of cinema towards its subjects and on the humanist mandate of documentary.
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